Outdated. Closing Reception. new works by Bethany Collins and Hailey Lowe Fennell

Be sure to come check out the show tonight from 7-9PM before it goes!

Arts Atl talks about Hailey Lowe Fennell and her current show at Kibbee!

30 Under 30: Hailey Lowe Fennell's photos trace "diminishing line between man and nature"

 

An image in Hailey Lowe Fennell’s “Outdated Machines of the Mountain West”

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene.
- See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature”

September 27, 2013

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By Anjali Enjeti

An image in Hailey Lowe Fennell’s “Outdated Machines of the Mountain West”

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene.

- See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature”

September 27, 2013

TEXT SIZE

• 
• 

By Anjali Enjeti

An image in Hailey Lowe Fennell’s “Outdated Machines of the Mountain West”

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene.

- See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

 

        "Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene."

         - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.IlvcoEg1.dpuf

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene. - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.IlvcoEg1.dpuf

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene. - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.IlvcoEg1.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

Outdated. new works by Bethany Collins and Hailey Lowe Fennell

Opening reception Saturday, September 14 - 6-10pm
sept 14-28
closing reception on Sept 28 , 7-9pm

Outdated features new works by Hailey Lowe Fennell and Bethany Collins, which make use of outdated forms of technology and media to reflect the modern world. Whether typewriter salt-licks or film stills, dictionary erasures or chalkboard drawings, both artists focus on the boundaries we create internally and externally through these outdated forms of technology. 

Hailey Lowe Fennell is a multi-media artist focusing on the tension between urbanism and nature, technology and nature, our bodies and the land we live on. She is especially interested in how landscape is portrayed in her film stills and video work - which is often the only element we see of her performative work in nature. Fennell's Machines series questions how technology, nature and modern human nature can coexist.

Bethany Collins is a multi-media artist, originally from Montgomery, AL. Collins’ language-based work highlights the inability of language to fully capture notions of modern racial identity. Rather, text is hidden, revealed, allowed and humored, but rarely settled. Throughout her work, Collins remains interested in the unnerving possibility of multiple meanings, dual perceptions, and limitlessness in the seemingly binary.