The Eternal Eye

The Eternal Eye

Come see photography at its finest! 

 

New works by Chris Carder, John Paul Floyd, Chris McClure, Wretrick Rausaw, and Justin Weaver. 

 

Preview: Saturday, Oct. 5 (6-10pm)

 

OPENING RECEPTION: SATURDAY, OCTOBER 12 (6-10pm)

 

          Kibbee Gallery helps Atlanta celebrate photography! These artists come together to give you photographs that depict the liveliness of history and present day. You won't want to miss these gorgeous images taken by very capable and discerning eyes. 

Outdated. Closing Reception. new works by Bethany Collins and Hailey Lowe Fennell

Be sure to come check out the show tonight from 7-9PM before it goes!

Arts Atl talks about Hailey Lowe Fennell and her current show at Kibbee!

30 Under 30: Hailey Lowe Fennell's photos trace "diminishing line between man and nature"

 

An image in Hailey Lowe Fennell’s “Outdated Machines of the Mountain West”

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene.
- See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature”

September 27, 2013

TEXT SIZE

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By Anjali Enjeti

An image in Hailey Lowe Fennell’s “Outdated Machines of the Mountain West”

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene.

- See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature”

September 27, 2013

TEXT SIZE

• 
• 

By Anjali Enjeti

An image in Hailey Lowe Fennell’s “Outdated Machines of the Mountain West”

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene.

- See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

 

        "Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene."

         - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.IlvcoEg1.dpuf

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene. - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.IlvcoEg1.dpuf

Two white orbs, like headlights, glow at the top of the black-and-white photograph. They are the eyes of a fox, suddenly conscious, alert, as if it knows it is being hunted. Below its snow-covered feet, blurred horizontal bands stretch across the composition. Embedded within the bands, a ghostlike image of the fox repeats itself twice, haunting the landscape. A lone, barely discernible tree in the background bears witness to the scene. - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.IlvcoEg1.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

30 Under 30: Hailey Lowe Fennell’s photos trace “diminishing line between man and nature” - See more at: http://www.artsatl.com/2013/09/30-30-hailey-lowe-fennell/#sthash.wuCj3VTl.dpuf

Outdated. new works by Bethany Collins and Hailey Lowe Fennell

Opening reception Saturday, September 14 - 6-10pm
sept 14-28
closing reception on Sept 28 , 7-9pm

Outdated features new works by Hailey Lowe Fennell and Bethany Collins, which make use of outdated forms of technology and media to reflect the modern world. Whether typewriter salt-licks or film stills, dictionary erasures or chalkboard drawings, both artists focus on the boundaries we create internally and externally through these outdated forms of technology. 

Hailey Lowe Fennell is a multi-media artist focusing on the tension between urbanism and nature, technology and nature, our bodies and the land we live on. She is especially interested in how landscape is portrayed in her film stills and video work - which is often the only element we see of her performative work in nature. Fennell's Machines series questions how technology, nature and modern human nature can coexist.

Bethany Collins is a multi-media artist, originally from Montgomery, AL. Collins’ language-based work highlights the inability of language to fully capture notions of modern racial identity. Rather, text is hidden, revealed, allowed and humored, but rarely settled. Throughout her work, Collins remains interested in the unnerving possibility of multiple meanings, dual perceptions, and limitlessness in the seemingly binary.

Whistle while you work...

WORK
(Observations of occupation)

August 10-August 31, 2013

CLOSING RECEPTION: Sat. August 31, 7-9pm

    Come see artists Ben Goldman and Preston Snyder at work with their new show at Kibbee! Through these "works" the process of working and creating works is depicted.

Dante's Inferno Closing

You won't want to miss our Inferno closing today!!

A variety of talented artists bring you to the depth of hell! This is your last chance to come see the show, so stop by!

 

Today from 7-9 pm

Don't Forget and Regret...

Don't forget about our back room when you come visit!

Our collection is constantly changing, so you don't want to miss anything good!

The artwork includes so many fantastic artists including (but not limited to): Robert Sherer, Jaynie Crimmins, Suzy Selman, Julianne Trew, Chris Neuenschwander, Aaron Artrip, Jason Kofke, Lisa Tuttle, Liz Webb...... and the list continues. 

Come see the rest! You won't regret it.